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grammar in a pile of sand
by Mary Alice Scott
ithout
the Internet, their research would be impossible. Without the lunchtime
team meetings in front of a chalkboard covered in diagrams, it
wouldn't be as much fun. Laura Janda whizzes through her
latest brainstorm (she says she hasn't slept
much all week because she keeps coming up with new ideas), covering
her diagrams with dots and arrows, and switching between speaking
Russian and English. Her graduate students are on the edges of
their seats, ready to respond. But what are they so excited about?
Grammar. Janda works on aspect, a grammatical category in many
Slavic languages, including Russian. Aspect has to do with how
people conceptualize time. It's complicated. Hyug Ahn, a
master's student, says that even most native Russian speakers
can't explain what aspect is or how it is used. And Janda
says, "You can go through entire books of lists explaining
when to use different aspect, and it looks grotesque because they
seem totally unmotivated, just this random horror."
But aspect doesn't have to be so difficult. "It's
a myth that the divisions of grammatical categories are infinite
and chaotic. They are actually quite finite and well ordered," she
says. But no one has ever explained that to students. Janda has
a lot of ideas about exactly how these categories are organized,
and her research is helping her develop new tools for teaching
Slavic languages to non-native speakers.
anda's method includes using rocks, sand, blocks of wood,
and ping-pong balls to explain the complexities of aspect and other
Slavic grammatical categories, which require adding a marking to
every noun, pronoun, and verb in a sentence to indicate relationships
among objects and ideas. "A lot of the categories have never
been described even by theoreticians very well," Janda says. "And
it's hard to teach them to students. It's painful,
actually." According to Janda, it's possible to spend
several years learning a Slavic language and still not know the
meaning of some sentences.
But with her rocks and sand, aspect begins to make sense. For
example, two rocks can never occupy the same space, but two piles
of sand
can easily be mixed. The two rocks represent sequencing — when
two things happen one after the other, requiring the perfective
aspect. The two piles of sand mixed together represent simultaneity,
which uses the imperfective aspect. Or say you embed a rock in
a pile of sand — one thing happens (the perfective aspect)
as another is going on in the background (the imperfective aspect).
Students get it, and it's fun.
Sean Flanagan, a first-year graduate student, is helping Janda
test her method by surveying native Russian speakers who live in
North Carolina. The thirty-two questions he uses require the subjects
to identify which configurations of blocks of wood and sand best
represent the use of verbs in a sentence. He and Janda want to
find out, as Flanagan says, "Is this just a nice model that
helps us explain to students pedagogically how aspect works, or
is this a real connection that's happening in the minds of
native speakers?"
Dealing with differences in cultural background has put an interesting
twist on his survey. Flanagan says that Russians' love for
working puzzles conflicted with the purpose of the survey — to
find out whether native Russian speakers conceptualize aspect in
the same way that Janda has explained it. "I think every
single person I interviewed told me that it was set up wrong. I
would tell them that there are no right or wrong answers, and that
was very frustrating for a lot of them," Flanagan says.
The vocabulary Janda and her students are studying and categorizing
is huge. "If all the words that are used were put in dictionaries,
the dictionaries would be bigger than this room," Janda says
half-jokingly to the graduate students in her office. Part of testing
her theory involves finding good examples of the myriad ways that
verbs are used and examining how they fit into Janda's system.
nd that's where the Internet comes in. Search engines
make it possible to search a huge amount of data for specific words
and phrases in Russian. The team uses the examples for the interviews
and in the online Slavic language resources they are creating,
so Janda doesn't want just anything. Anne Keown, a doctoral
student, says, "[Janda] likes a certain type of sentence
for her examples — something that can stand the test of time,
something that can stand alone without any significant context."
Still, they search a wide range of resources. Flanagan has found
information from Russian professional wrestling web sites and voodoo
instruction manuals, for example. And the language used on the
Internet is spontaneous — it's the way people really
talk. The students have found verb usages on the Internet that
they never would have found in a dictionary.
So far, the findings lean in favor of Janda's concept of
categorization, but they plan to test their methods further. As
Flanagan says, "It's not enough to simply come up with
something theoretically. The closer we get to what's actually
going on in speakers' heads, the better we'll be able
to teach these languages to other people."
And now, the sandwiches and cookies are gone, the blackboard
is covered with chalk, and Janda has finished explaining her latest
brainstorm. It's time to get to work.
Janda, professor of Slavic linguistics, received the Dr. A. Ronald
Walton Award for "a career of distinguished service" by
the National Council of Less Commonly Taught Languages. She also
won a Faculty Fellowship for Teaching with New Media, sponsored
by the James M. Johnston Center for Undergraduate Excellence and
the Institute for the Arts and Humanities, to continue her work
developing books about Slavic grammatical categories. To view the
books, visit the Slavic and East European Language Resource Center
at www.seelrc.org. SEELRC is funded by the U.S. Department of Education.
see the accompanying article relevance, not riches
Former
Endeavors editorial assistant Mary Alice Scott will attend
grad school at the University of Kentucky in fall 2003.
[Email Mary
Alice Scott.]
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