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hundred years ago he used them to capture both merchant vessels and
headlines. Now Blackbeard's cannon are capturing public attention
again.
On May 9, divers working with Carolina's Institute of Marine Sciences
and a slew of other North Carolina institutionsUNC-Wilmington,
East Carolina and Appalachian State universities, the state's Department
of Cultural Resources, and othershoisted from the seafloor
a half-ton chunk of barnacle and stone that may contain a cannon
from the Queen Anne's Revenge, Blackbeard's sunken flagship.
A private company found the shipwreck site in 1996. Researchers
found this particular cannon, which they've dubbed Baby Ruth 2,
last fall. But they couldn't bring the cannon to the surface until
they could build a suitable tank in which to clean and preserve
it.
Baby Ruth 2 is the fifth cannon to be raised from the wreck, and
magnetic tests indicate that up to 40 more cannon lie buried at
the site.
There's still no conclusive proof that the ship lying just off
the Carolina coast is the Queen Anne's Revenge. But researchers
hope to find their smoking gun soon. The wreck's cannon are of various
sizes and origin, unlike the more uniform setup that would have
appeared on a naval vessel. In fact, this wreck will eventually
yield the most diverse array of cannon yet to be recovered from
one ship.
iologists
have identified the wreck's hull wood as white oak and red pine,
which is consistent with the building records of the Concorde,
the ship Blackbeard captured and renamed the Queen Anne's Revenge.
Radiocarbon dating indicates that the trees used to build the hull
grew in the mid-1600s. The Concorde was built around 1713.
As the mystery unfolds, researchers are using sophisticated instruments
to track changes on the seafloor that might affect the wreck. Jesse
McNinch, a visiting research assistant professor at Carolina, says
that the information researchers are gathering will create a conceptual
model that will help predict the long-term fate of cultural resources
in coastal waters.
"Blackbeard's misfortune has given us an incredible opportunity
to understand the processes controlling the fate of artifacts in
the marine environment," McNinch says.
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